Archive for August, 2007

Almost all those problems could be solved with tabs…

This remarkable HCI insight comes from a comment on Amarok’s blog, where people have been very busy trashing the latest Amarok2 UI mockup which happens to be, let’s be honest because it’s only a mockup anyway, quite horrible.

Wasted place all over the place, too small text placed within too large widgets, inconsistent style, a festival of duplicated information in the playlist view on the right, the ever-dreaded tabs on the left (yes, tabs are usually evil).

Seriously.

Someone has to wake up and fix this but hey, guess what, it’s just a mockup, so they might!

What is more interesting, however, is the shift of focus in the way users are supposed to interact with the player. The developers make it clear that they want to make the “context browser” central, and reduce the importance of the playlist. I’ve been advocating something similar since the early days of Collections (already in my initial manifesto), but I find it bold of them to push this change in an already widely popular program.
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Business Week cameo

I made a cameo appearance in Business Week’s article about our NEC C&C Innovation Lab entitled NEC’s “Big Brother” Lab (Aug. 16, 2007). It follows the inauguration day of the lab on July 12, when the press and officials came to visit the building and were shown prototypes of different projects happening here.

It is remarkable that most journalists, this one included, focused their interest and questions on the privacy concerns related to the ubiquitous monitoring of our lab. There were many other interesting projects shown that day (read the press release for a more abstract summary), but they hardly captured as much interest. (And note that the visualization part of the supposedly “proprietary mapping system” was implemented using the rather neat prefuse open source library.)

What is remarkable about the focus in this article is the lack of depth and context. First, the issue is not whether you’re being filmed, but by whom and why. Are you aware of it, and did you give your consent? The question of ownership and purpose of this data is premium, yet it’s barely hinted at by the author.

In addition, the article fails to put its arguments into the broader picture of our contemporary society: everyone is constantly tracked, whenever you use your credit card, your grocery store discount card or your RFID transport ski pass; whenever you buy books from the Internet or get filmed by a security camera in an elevator. More alarmingly than being spotted picking your nose at your desk, there are 400′000 CCTV in London, and 4′000′000 in the whole UK. There are thousands in Japan as well. And for all of those, you never signed any agreement and usage conditions.

The closing quote, “it would be a real hard sell in the [Silicon] Valley”, comes as a rather hypocritical remark in a country where the government gets increasingly more freedom at invading its citizens’ privacy without their knowledge.

This project would fail as a panopticon prototype, because it would lack the uncertainty of whether the participants are being observed or not. In the excitement of linking it with trendy topics such as privacy, the author confuses the danger of ubiquitous unapproved and unlimited surveillance with a circumscribed experiment.

Furthermore, it fails to capture a more important philosophical questions that underlines this project: inspiration, much like feelings, are traditionally credited as impalpable human traits; yet can you formalize, quantify, analyze innovation and inspiration? Are there patterns that can be exploited to stimulate and, eventually, simulate inspiration?